My name is Jon Young and I am an amateur film maker.  I have produced 6 feature low budget indiefilms and directed one feature.  Unfortunately I spend most of my time in the writing phase.  I saw unfortunately because not all my scripts have been filmed.  The screen writing  is really fun but the goal is to end up with a feature film.  There are a lot of reasons why a script doesn’t get filmed.

The most common reason a script doesn’t get made is because it is just not good.  They say you really need to write 3 scripts before you have something good enough to film. I have worked with a ton of partners over the years and a lot of times the ideas seem good when we are working on them  but when assembled into a finished project they just don’t work.  Sometimes our ideas seem kind of bland but as the bigger whole they work, you just never know until your finished.  On the feature I actually filmed, after I finished editing the rough cut of the film I realized what we did wrong when we wrote the script.  The best thing I can say is do a lot of rewrites and do as many rewrites as you can stomach in the treatment phase.  Once your done get as many people as you can to read it and give you feedback.

Today I meet with one of my two new writing partners. He came up with a bunch of really good ideas since our last meeting.  And as we went through them I explained to him that our story isn’t low budget anymore.  The ideas are actually really good.  They remind me a little too much of the matrix but it worked for our concept.  The problem is that there is no way I could film the script without a bunch of money. Our original goal was to write something that we could do all on green screen.  My idea was to set the story on a space station.  Anyway it has evolved into a monster of a project with guns, chase scenes and numerous locations.  He even added a dog.  I assume next week he will insert a child as one of the characters and basically we are hitting on all the no no’s for a small budget.

It was a struggle today also because I wanted to go through the 4 page treatment he emailed me last night and he wanted to talk about movies and other fun things.  I know he already knew what was on the four pages but I wanted to go through them with him.  I wanted to give him feedback. Also I wanted to insert my ideas into the story and see what he thought about them.  He put together a pretty interesting first half of the story with lots of conflict, tension and mystery.  Three important elements for a good story.  We ended the meeting with a debate about how interesting it would be to set the movie in the 70′s.  He told me that’s so unique. My thought was sure and the matrix stuff was also unique.  I told him to start going to goodwill and find out fits and props now and I’ll cast actors that can fit into them.  Then I counted the number of characters we have in the 70′s stuff and I came up with 15.  This is in the first half of the movie before you realize we are on a space station.  So add up the characters on the space station and we are well over the ideal number of actors for a small budget film.   Oh and retro sets are another no no for small budgets because you have hair styles, clothes and props.

So my debate tonight is how do I deal with this issue.  I like the story.  It’s not what I originally envisioned but it’s actually kind of an interesting story.  Can I convince this guy that we should write the story and then try to sell it?  I would be happy to sell it to one of the studios for six figures.  I know the reality is that it would be like winning the lottery.  The original goal was to write something small budget that was festival worthy and submit it to the Sundance Film Festival.  Honestly this is a commercial story that probably wouldn’t play so well at the film festivals. It’s a story that probably also requires a star or two to get it to work.
My personal goal is to get a film in to sundance.  That’s on my to do list in my life time.  I’m going to look for another writer to start a different story.  Something that can be filmed on a small budget for the film festival circuit. Maybe I will continue with this guy and finish the story for Hollywood. The moral of this story is to stay away from concepts like sci-fi, space stations or anything that could end up being big budget if you want a story to film yourself.

Video Film School offers free film making information. Everything you need to know to make a feature film on a low budget. Make your dreams come true and become a film maker.


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Check out more at www.aniboom.com In a destroyed world, the only glimpse of hope is the memory of a forgotten past. But be careful not to let your dreams control your mind…This is Replay an amazing animated short film. Animation by anthonyvoisin – the film is distributed by Talantis Films. www.aniboom.com Follow Aniboom: facebook: www.facebook.com MySpace – www.myspace.com Twitter – www.twitter.com If you liked this animation, don’t forget to subscribe, you know you want to .

 

Video for the first Single from the Album ‘Don´t Dance Rattlesnake’
Video Rating: 4 / 5

by Philip Scott Johnson Mary Pickford, Lillian Gish, Gloria Swanson, Marlene Dietrich, Norma Shearer, Ruth Chatterton, Jean Harlow, Katharine Hepburn, Carole Lombard, Bette Davis, Greta Garbo, Barbara Stanwyck, Vivien Leigh, Greer Garson, Hedy Lamarr, Rita Hayworth, Gene Tierney, Olivia…
Video Rating: 4 / 5

 

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Kittipong is a Part-Time author and internet marketer living in NewYork. Fusion is a up and coming affiliate marketer who likes to write articles on affiliate marketing. When Fusion writes useful articles and post it on the internet


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The Light Factory seeks short films from filmmakers all over the country for the 11th Annual Filmmakers’ Showcase, to be held Friday, May 13 (at 9:30 p.m.) and Saturday, May 14 (8:00 p.m.), at Butter cocktail lounge. The Light Factory Filmmakers’ Showcase highlights the art of short films, created by emerging, established and student filmmakers. Submissions are due Friday, April 15, 2011. There is no fee to enter and winners can earn cash prizes. Guidelines and other information about the event can be found online at http://www.lightfactory.org/film.

The Light Factory is a contemporary museum of photography and film, originally founded as an artist-photographers’ cooperative in 1972. In 1999, The Light Factory added film to its mission and began offering support and exhibition space to screen work from independent filmmakers, as it had for photographers 27 years prior. The Light Factory Filmmakers’ Showcase furthers this mission by exhibiting new work by filmmakers all over the globe, with focus on regional filmmakers from the Carolinas.

The Light Factory considers a short film anything less than 30 minutes in length. The format of short film lends itself to the long-running success of the Annual Filmmakers’ Showcase, which has become one of the most diverse nights of film programming for the entire year. Not only does the Showcase feature two evenings of work by many different artists, but the types of film vary in genre from narrative, to experimental, animation, documentary and beyond.

Shorts are also a more feasible outlet for filmmakers to try new things. “You would be hard-pressed to find a technical or aesthetic innovation that was not first tried in the short form,” says The Light Factory Film Director, Linnea Beyer. “The shorter duration lends itself towards a smaller budget. Less financial risk almost always equates to more artistic freedom which is the focus of the event.”

There is no fee for filmmakers to enter. Films must have been completed after January 1, 2008, and must be submitted no later than Friday, April 15, 2011. Submission guidelines for the Annual Filmmakers’ Showcase can be found at http://lightfactory.org/files/2011%20Filmmakers%20Showcase%20Guidelines.pdf.

All films are viewed and judged by a selection committee, a volunteer group comprised of filmmakers, film enthusiasts, film educators and critics. Awards include Best in Show ($ 100 cash prize), Best Local Film ($ 50 cash prize), Best Narrative Film ($ 50 cash prize), Best Documentary Film ($ 50 cash prize), Best Animation Film ($ 50 cash prize), Best Experimental Film ($ 50 cash prize) and Best Student Film ($ 50 cash prize). There is also a Best ‘Family Portrait’ film ($ 50 cash prize) inspired by the Bring the Family exhibition, currently on display in the Knight Gallery until May 22, 2011 (http://www.lightfactory.org/exhibition-bring-the-family).

The Light Factory is graciously supported by basic operating grants from the Arts & Science Council of Charlotte-Mecklenburg and the North Carolina Arts Council.

The Light Factory is one of only four museums in the United States that promote the power of image through photography and film. For more than 30 years, The Light Factory has served students, artists and the public at large by offering film screenings, photography exhibits, classes and outreach programs that promote media literacy and self-expression using the most powerful mediums of our time. The Light Factory is a 501©3, non-profit organization. To find out more about The Light Factory, or make a donation visit http://www.lightfactory.org.

Contact: Dee Grano, 704-333-9755, dgrano(at)lightfactory(dot)org

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NEW! Full Oscar-nominated film of ‘Granny O’Grimm’, directed by Nicky Phelan, produced by Brown Bag Films, and written/voiced by Kathleen O’Rourke. NOW AVAILABLE ON ITUNES! www.grannyogrimm.com. Twitter @grannyogrimm

Award winning unofficial prequel to The Lord Of The Rings dramatising Aragorn & Gandalf’s long search for Gollum. This 40 minute film, made by fans for fans is based on the appendices of LOTR and was painstakingly shot on a low budget as a homage to Peter Jackson’s trilogy and the writing of JRR Tolkien. Costing less than 00 to make, with a team of volunteers, Independent Online Cinema are proud to have brought Middle-earth to the screen once more. We hope you enjoy The Hunt For Gollum as much as we enjoyed making it. This Youtube version is slightly extended with 1 scene added back in. www.thehuntforgollum.com www.ioniafilms.com – Check out the new feature-length LOTR prequel – Born of Hope www.bornofhope.com
Video Rating: 4 / 5

 

International Film Festival Summit Appoints Executive Director . New York, NY (Vocus/PRWEB) January 06, 2011

The International Film Festival Summit announced today that Laurie Kirby, Esq. has been appointed the new Executive Director for the International Film Festival Summit. Laurie will be working on both the International Film Festival Summit and the International Film Festival Summit Europe.

Laurie Kirby has over fifteen years of experience working in the film and music industry. From 1997-2007, she served as General Counsel and then Executive Director of the Newport International Film Festival. Previously, she served as General Counsel to both The Legends Tour (the official senior tour of the LPGA) and the Audubon Society of Rhode Island. Laurie was also Counsel at the prestigious law firms of Holland & Knight, LLP and Edwards, Angell, Palmer and Dodge, LLP.

She has also served as a consultant or Festival Director to several film festivals including The Barbados Film Festival and the US Sports Film Festival. Additionally, she has acted as Marketing Director for the Philadelphia Film Festival, Jury Coordinator for the Topanga Film Festival and Advisory Board Member to The Lady Filmmaker’s Festival in Santa Monica, California. She has been an annual speaker and attendee at the IFFS as well as an Advisory Board Member.

Laurie serves on the Board of Alliance Hollywood, an advocacy organization for social issues. She currently resides in Los Angeles County and has three grown children.

“This opportunity to lead the IFFS comes at a perfect juncture in my career and in the evolution of the Summit,” said Laurie Kirby. “As the leading organization for film festival executives, I feel confident that we will continue to be the premiere networking event in the US and abroad. We will aggressively strive to provide value and create opportunities for the industry that will foster tremendous growth for the participants in the years to come.”

About International Film Festival Summit (IFFS):

The International Film Festival Summit (IFFS) is the largest international organization representing the film festival industry. The IFFS mission is to promote and strengthen the global film festival industry through education, networking, dissemination of information, and the cultivation of high standards for the industry. The IFFS was founded in 2002 and provides the only annual conference & symposium for film festival professionals and entertainment executives to network, learn from one another, establish partnerships, and understand the latest trends in festivals and independent film. http://www.filmfestivalsummit.com.

Laurie Kirby can be reached directly at laurie(dot)kirby(at)michaelbass(dot)com.

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ANN ARBOR, MI (PRWEB) June 6, 2005

Explorart films announced today that it has signed a representation agreement with Venezuelan Production Company Cinema SUR with the intention of securing video and broadcast distribution for the award-winning Latin film “A House with a View of the Sea.” Pending additional approvals by the film’s international co-producers, Explorart will begin distribution negotiations as early as July of 2005.

Nestor L. Lopez, Explorart’s vice-president and director of North American operations stated, “We are excited to sign this agreement with Cinema SUR. We are proud to represent one of the best films ever produced in Latin America and hope to contribute to the future financial success of the picture.”

Under the terms of the agreement, Explorart will work to secure video and television broadcast distribution in selected foreign territories. Mr. Lopez added, “We are certain that we will be successful in securing distribution of this great film, since it is a true jewel of the emerging Latin American film industry and we will now work hard to ensure that audiences around the world are able to enjoy it.” Explorart will also work on distributing the film’s original soundtrack.

The film was produced in 2001 by Explorart’s current president Juan Carlos Lopez Duran in collaboration with IMX (Canada), Cinema Sur (Venezuela), and Intercatel (Spain). It was directed by up-and-coming Latin director Alberto Arvelo and enjoyed performances by Spanish star Imanol Arias and Canadian actor Gabriel Arcand, as well as music by international recording artist Lorena McKennitt. The film received significant international acclaim, wining more than 15 awards including the OCIC Award at the prestigious Cartagena Film Festival, the Audience Awards at the Fribourg International Film Festival and the Huelva Latin American Film Festival, and the Prix International Titra at the Mons International Festival of Love Films. The film also received additional awards at the Cinemanila International Film Festival, Havana Film Festival, Miami Hispanic Film Festival, and Oslo’s Films from the South Festival. Venezuela selected the film as its official entry for the 2002 Academy Awards.

About Explorart Films:

Explorart Films is an independent production company with offices in the USA and Venezuela dedicated to the production of original award-winning feature films, documentaries, and television series for worldwide distribution. With a strong pipeline of projects in production and an always-active development division, Explorart Film is committed to becoming a major player in the global Independent film industry. Contact Explorart at http://www.explorart.com.

Contact:

For more information about the film please contact Explorart at info@explorart.com or by phone at 1.734.213.2404.

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